Nice film. I think you're right about how so much that we consider intrinsically modern was familiar to the late Victorians/Edwardians. If you look at consumerism and advertising, for example, which a lot of the "No Logo" school would assume to be an ultra-modern, or post-modern, development, it's amazing how consumerist and at home with a reality built by fiction and advertising they were.
Good pseudonym, I rewatch Brass Eye regularly and no other modern satire really comes close.
Thanks very much for the link, Matthew.I've been under the vague impression that Britain caught up with the pre-1914 levels of overseas investment at some point in the late '90s, but I don't have anything more definite on that.As for the advertising of the period, some of Alfred Kahn's autochromes featured on the BBC website recently ( show just how colourful - and intrusive - commercial illustration could be then.
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Nice film.
I think you're right about how so much that we consider intrinsically modern was familiar to the late Victorians/Edwardians. If you look at consumerism and advertising, for example, which a lot of the "No Logo" school would assume to be an ultra-modern, or post-modern, development, it's amazing how consumerist and at home with a reality built by fiction and advertising they were.
Good pseudonym, I rewatch Brass Eye regularly and no other modern satire really comes close.
Thanks very much for the link, Matthew.
I've been under the vague impression that Britain caught up with the pre-1914 levels of overseas investment at some point in the late '90s, but I don't have anything more definite on that.
As for the advertising of the period, some of Alfred Kahn's autochromes featured on the BBC website recently ( show just how colourful - and intrusive - commercial illustration could be then.
Post a Comment